The 16Hz to 28kHz frequency range and the 55-ohm impedance seem pretty good on paper, but it is during use that the K271 really impresses. For that reason, the HD 600 and HD 650 studio headphones are often considered when a buyer is narrowing down their choices. As mentioned, the Audio-Technica ATH-R70x are dynamic open-back headphones that driven by 45 mm diaphragms, and producing a very wide frequency response of 5 Hz to 40 kHz. Regardless, the high-end dynamic headphones produce accurate and detail sounds across the frequency range. They aren’t heavy, plus the pads fit comfortably around your ears for hours long use, so you’ll also find them to be non fatiguing. But any of these should prove satisfactory for you . If you are concerned about how we help to secure your privacy once visiting this page, please check out the privacy policy page. The AKG K702 are for professional music producers and pro audio professionals who want surgical listening sessions in mixing and mastering, certainly not for the amateur, or even beginner. They are “safe” for those who can’t decide, but looking for something of high quality. They have an impedance of 300 Ohms, which means a better quality signal, but the potential to require a headphone amp if your audio interface cannot supply enough power. Meaning, the bass is not “hyped” like is some other headphones you’ll hear made for making beats. The Korg Volca FM Polyphonic Digital Synthesizer is a contender for best cheap synthesizer of all time as it’s entirely compact, very portable thanks to its small size and battery-powerable construction and the fact it’s just over £100. Being dynamic, that’s seems be to be what gives them more authority in the bass as referencing headphones. All the headphones in this guide were chosen for “pro audio” users. It’s hard to imagine IEMs delivering a sound you can rely on for production duties, but be it tracking, sound design or mixing, the E70s impress from top to bottom. It is one of the few on-ear headphones you can find for pro use, with enough sound isolation to keep the drivers from leaking sound onto studio recording equipment. Although some studio headphones do have sound-isolating features, this isn’t as much of a requirement as they would be with consumer headphones. With help from strategically wiring and magnet placement during the manufacturing process, the Beyerdynamic DT 990 Premium 32 OHM Headphone is able to become one of the best headphones for digital piano. Read our full Audio-Technica ATH-R70x review, Price: $99/£87/€100 | Type: Closed-back, over-ear | Frequency response: 10Hz - 20kHz | Impedance: 63 Ω | Driver type: Neodymium, 40mm | Connection: Wired. It’s got a built-in speaker as well as headphones connection so you can create music at any time and the Sync In, Sync Out connection means you can … The Sennheiser HD 800 S will definitely take the guesswork out of that decision making for you. In terms of sound quality, the ATH-R70x studio headphones are often considered to be similar to the other headphones in the Audio-Technica brand. The hypoallergenic ear pads are more than adequate for blocking out extraneous noise whether in the studio or out on the move, and at this price, you need never fear recklessly throwing these in your laptop bag. This results in clearer and more transparent sound, with more defined bass and a more expansive soundstage. They have one of the sturdiest and durable build quality, and the sound in honest and unflattering, all for low cost. For comfort, the makers chose real lambskin leather, and the ear pads filled with “carefully chosen acoustical foam.” I read one user who said that it was the most comfortable headphones he’s worn despite the weight. Headphone calibration is typically done with the use of specialized software. The LCD-XC will be satisfactory for you. The Status Audio CB-1 is one of the best music production headphones for the price. That brightness comes from the fact that they are so responsive to the higher frequencies that nothing goes amiss. Even mics only a few inches away won’t pick up a peep, making these cans ideally suited for recording. First up, the mid range is more defined yet overall feels less prominent, which should be less fatiguing. That said, the midrange is probably the place where the R70x shines the best. One aspect of headphone design that may influence your buying decision is impedance. Besides the professional sound, it has a professional look that is very noticeable. They also give you great monitoring for the bass and lower-mid frequency response as well. Professional on-ear headphones are usually used by DJs. In that way these headphones are amazing. Check Current Price. The ⅛ inch and ¼ inch connections mean they will fit perfectly in most wired devices and keyboards, synths and digital pianos. Generally, high-impedance headphones require higher signal levels to produce the same output level of low-impedance headphones. Subs are audible and there’s no low mid scooping to mask poor phase response; the bass is just less punchy than you’d get with the average studio headphones. Whereas the LCD-4 was the best headphone you can get for mixing and mastering, if you wanted a comparable model but for recording and tracking your music, the Audeze LCD-XC is the the best you can get. As you’d expect, they are audiophile referencing headphones. The Sennheiser HD 600 music production headphones are ideal for mixing and mastering engineers, as well as audiophiles looking for an entry level audiophile open back headphone with an excellent stereo stereo image. Because it is semi-open, you’ll get the best of both worlds when using the DT 880: a natural and transparent sounding sound stage that is typical of open backs, with the power and focus of a closed back headphone. Audiophiles will love these, too. For this reason, they are the go-to choice for mixing and mastering engineers. But as an industry standard, it makes a top choice for monitoring applications. The cups contain 40 mm dynamic drives that generate a frequency response of 5 Hz to 25 kHz. Headphones generally tend to have a very wide frequency response range. The best studio headphones if you want a tried-and-tested DJ fave, Price: $149/£129/€154 | Type: On-ear | Frequency response: 16Hz - 22kHz | Impedance: 70 Ω | Driver type: Dynamic, closed | Connection: Wired. That said, the bass extension is good, but don’t expect the most powerful sub-bass response. Reviews have found that the soundstage is natural and open. That isn’t to say that it won’t work well, but comparatively, if you want to produce or mi bass driven music, you might need to look elsewhere. If huge, booming bass and hot sizzling highs are what you are after, you might be better off looking elsewhere. The Sony MDR series has been around for years and has a solid studio pedigree, borne out by decades of daily use in the recording and broadcast sectors worldwide. On the other hand, if a flat even response and accurate sound reproduction is what turns you on, the K271 should definitely be on your short list. They don’t quite rival an equally-priced set of headphones, especially in the bass, a region in which physics throws up some serious constraints. The high impedance (250 Ohms) means more voltage would be required to drive the headphones. When it comes to pro audio, closed back headphones are especially good for recording and arranging music. Another thing that has been constantly raved about these headphones are their sound stage. The Beyerdynamic DT 1990 Pro studio headphones are lighter in weight than some of the other more popular music production headphones at this size. The best synths are analog. David Carnoy. So these are great for purists and perfectionists. It’s regarded as providing enough bass that is accurate and not overly hyped, while the treble and midrange remains crisp. It’s a Japanese made closed back audiophile headphone that you can use for enjoyable tracking and recording of your music. It’s black with polished metal fittings around the ear pieces, giving you the impression of professionalism. It uses a 45 mm dynamic driver that produces a frequency response of 5 Hz to 35 kHz. In other words, this post would’ve helped you to make an intelligent buyer’s decision. Although it would’ve been great if the cable being detachable from the headpiece itself. They are super comfortable, durable, and sturdy, with interchangeable parts. As they are dynamic headphones with 40 mm diaphragm drivers, they produce a fairly wide frequency response of 10 to 20,000 Hz. Otherwise, pro music producer have found it surprising sufficient. Classified as an on-ear design, because the pads are circular and rest on the outside of the ear rather than enclosing it fully, the HD-25 is currently available in three flavours (Light, Standard and Plus) at three price points, for general studio/DJ duties you really can’t go wrong with a pair of Sennheiser HD-25’s. Headphones can be a good way to judge bass when the available monitors don't reach down too far, and in this regard the HRM-7s don't disappoint. The Beyerdynamic DT 1990 Pro studio headphones are open-back headphones that feature 250 ohms, 45 mm Tesla neodymium drivers that produce an audiophile grade frequency response. Typically measured in ohms, impedance is the result of the components used in headphone design and manufacture. Moving up, the low mids continue unwrinkled, free from cheap scooping back (a voicing often employed to mask uneven response) so you can really hear what's going on, for better or for worse. The design itself is beautiful in a generic, no-frills ways. Other than being cheap, it is also full of tons of features that make it truly outstanding. Headphones allow teenagers to shut out the extra noise when studying or relaxing, … The MDR-7520 studio headphones is able to hold everything together and keep accurate and controlled representation across the frequency response. You can use the table of content (jump link) to help you navigate through the headphones on this post. This results in less distortion, but you’d need to get a headphone amplifier with these headphones if you plan on using it for relaxed listening (some audio interfaces provide sufficient amperage to drive these diaphragms). Despite the price, it’s still considered better than some of the more expensive models out there. This is thanks to the fact that they sit in comfortable cost that suits the budget buyer, but doesn’t skimp on quality at the same time. Electrostatic transducers are drivers that use a very thin electrically charged membrane to produce sound. Music Production Nerds is dedicated to helping producers, musicians, studio owners finding the right software, equipment, and accessories for all things music production. They are the buyer’s choice for professional music producers who want to get the best studio headphones for music production, and come a price tag to match the quality. In our latest best of, we highlight ten of the top synthesizers available on the iOS platform. The new ATH-M50x use 45 mm dynamic diaphragms that are closed-back studio headphones with an over-ear design making it suitable for recording and tracking music, as well as relaxed listening sessions. On the negative side, some customers dislike the cumbersome design, and the relatively smaller earpads compared to some other headphones for the same price. However, the sound quality make them them fatiguing — they may be super accurate and flat, but they sound good. It’s also super affordable. It is also the most purchased headphone in this guide. Why would you want open back headphones then? Some people consider them a little heavy, which is to be expected from headphones of this kind. What’s the best in your opinion? Higher impedance in a headphone means that they require more voltage to run. Additionally, I would recommend this to you if you’re into film score type of music, or classical music or any sort of acoustic recording. We try to remain as unbiased as possible, while giving you honest impressions of each headphones, and why we think it is the best studio headphones for music producers, and at various budgets. Otherwise, if you plan on depending more on headphones for mixing bass music, the 650 might be the best option, in my opinion. The frequency response is remarkably flat and even, with no apparent dulling of the high frequencies or dampening of the mids as with other ‘flat’ headphones. They are comfortable, fold and bend in all the right places, and are relatively light (285g). The best deals on used synths you'll find anywhere. You will hear every single detail. When compiling this list we did extensive research on all the products listed, studying each in detail to find out what was truly the best headphones for music production in each price bracket. Expect to be able to mold the absolute most perfect treble frequencies using these as your mixing headphones. Not just recording, but sound designing and choosing the best samples is the first step of any record. We’d go for the Focal Listen Professional. These days, lots of synth players find themselves on a constant quest for new sounds, and often buy a synth only to resell through Reverb a short while later. But the design is very sturdy and you can expect it to be in continuous use for years in your studio. You may want a pair solely for mixing purposes, or something that can pull double duty and tackle everyday music-listening duties, or a pair of workhorse headphones sturdy enough to cope with life on the open road. But the best headphones for teens have some advantages. These electrostatic speakers (more on that in a bit) are credited with providing one of the clearest and crispest sounds you can get from any pair of headphones, and especially for this price. iOS instruments may not get as much love as those for DAWs but they have a lot going for them. Whereas the benefit from studio monitors, compared to studio headphones, is the sense of space, stereo image, and how your music will actually sound in a room that a headphone cannot give you. In either case, a good audio interface is often times enough to drive your studio headphones. Listening to open-back headphones feels like listening to speakers in a spacious environment, like a room. The Sony MDR-7506 studio headphones are closed-back headphones. Final word. Best Choice Products 37-Key Kids Electronic Musical Instrument Piano Toy Keyboard w/ Record and Playback, Microphone, Synthesizer, Stool - Pink 4.4 out of 5 stars 669 $54.99 $ 54 . The combination of polished metal and real wood will give you a very tasteful appearance. “Sound pressure level” or SPL refers to the level of sound that a pair of headphones can produce. Also, studio headphones are closer to your ears, and usually have a much higher frequency response than monitors, so they make critical listening for stray frequencies very easy for making decisions in your mix. So if you’re an audiophile, many of the headphones in this list will give you the best quality of sound, without any of the so called audiophilia “hype” that you might get from other headphone marketing. But a few may not like it for the “weak” bass. By Planar magnetic transducers causes exceptional low distortion, yet are also very powerful in low ends. Matt Robinson August 3, 2020. #5. In a sense, they are correct, they will not wow you will sonic performance, especially at first before a reasonable break-in time. The low-mid and mid range are crucial for the real meat in any mix, and it can be easy to make a mess here without decent monitoring. And so, the closed back XC comes in at the most recommended high-end pair for recording. They look professional but not boring, trendy but not outlandish. But the fewer general negatives reviewer criticize the leatherette covered pads being prone to peeling, and crumbling in time. According to user reviews, they are pretty excellent at reducing external noises, as well as reducing the amount of noises that “leak” out of the ear-cups themselves. And for this price range, you probably won’t find many that can surpass it mixing and even mastering. Back to the comparison. Complete with a beautiful hard-shell case, we don't think there's a better all-round studio headphone out there at this price. And because this is a modern pair of headphones anyway, it has carbon fiber trimmings. The build quality is solid. The fit is circumaural (over ear), and uses breathable-fabric earpads and headband materials to provide both a comfortable experience, and durability for long hours of use. The Sony MDR-7520 studio headphone is one of Sony’s high-quality headphones for monitoring and critical listening. However, a lot of people equate a super wide frequency response with higher quality. It is the only semi-open back headphone that was able to make this list, so you can expect that it is probably the best semi-open back headphone that you will be able to find for music production, regardless of price. thanks! They make great pleasure listening headphones as well. As with all the low impedance designs here (these are 38 ohm), they are easily driven beyond our comfort threshold. Being open designed, they are for critical listening by pro and enthusiast mixing engineers and even mastering engineers who don’t want to compromise enjoyment for fatigue when it comes to accuracy and precision. The large headband is also padded, and provides sufficient room for larger size heads, even with glasses. Save up to $100 on Apple’s M1 Mac mini: is this your next music production computer? Many consider the sound to be flat and natural, and hence it remains as the industry standard studio headphones, even though most people won’t be too impressed with the sound quality upfront. The DT 880 PRO studio headphones was specifically designed for use by studio and stage pro audio professionals. The Stax SR-Lambda SR-507 are not just headphones, they are called “earspeakers.” If you look at the design, you can sort of see why. For that reason, this is one of the best headphones when it comes to recording musicians in a recording room, as they provide accurate monitoring over other instruments. In terms of comfort and design, there doesn’t seem to be any compromise in terms of build quality for these headphones. Comparatively, the bass is not as powerful as some of the other headphones on the list, particularly the Sennheisers. The K812 can be compared to the Sennheiser HD 800 S. It is cheaper than the Sennheiser, so that’s one consideration. But also, you need a pair of headphone that will give you detail stereo image, so that you’re not guessing how much you’re able to manage the “space” of your mix. The Focal Listen Professionals are exactly what they say on the tin; 2. Just letting you know just in case you see the K701 version somewhere around and wondered what as the difference. The best studio headphones when you need open-back reference cans, Launch price: $349/£279/€339 | Type: Open-back, over-ear | Frequency response: 5Hz - 40kHz | Impedance: 470 Ω | Driver type: Carbon composite resin, 45mm | Connection: Wired. Low impedance headphones are usually rated at 30 to 100 ohms. Owning a pair of pro DJ headphones is an investment all DJs should make, even if you are newbie. Yes, the handcrafted LCD-XC are a little heavy, but the earpads are plush and will do a good job at sealing you off from the world when you’re music making. So you can’t talk about the best headphones for music production without having an AKG on the list. They look, and feel, like fluffy pillows gently pressed against your head. This is just what I need to help make a choice. To some of us, that may just mean pre-production stuff like beat making, arranging, or sound designing, but to others, it involves mixing, and even post production work like mastering. It's largely a matter of prioritizing what's most important for you, whether that's pure audio quality, comfort, wired/wireless, and what features you value most.If you're mostly wearing cans on your noisy commute, noise-canceling is essential. Introductions, Help and Recommendations. If you’re looking for super accurate headphones that will point out to you any stray frequencies, the Stax is definitely for you. But I like to think of the S like the S Class in Mercedes Benz, when it comes to quality and performance. It has been described by other engineers as  extremely transparent, albeit a little bit bright. The ear cups fold and rotate conveniently as well, so they can be tucked into a small bag or rucksack without taking up too much space. But because your device would need to drive more current through them, you’ll still get a noticeable “buzz” or “hiss” sound with them. The ear cups are made of real soft leather that fit around the ear. You’ve also learned about the three main types of drivers used, dynamic, planar magnetic, and electrostatic. But perhaps the best place is the mid-range, which offers one of the best and most accurate response you’ll get from any dynamic music production headphone. The Fostex TH-900 MKII is probably one of the most exciting headphones on this list. These headphones claim up to 32 DB of noise reduction and I tested these to the max. With the right use, it will be the best vintage synth for your ambient needs. Unlike the the typical audiophile headphones, they are comparatively light and considered very comfortable, despite how interesting they look. It’s one of the cheapest professional studio headphones out there with a street price of under $100. Teens love using headphones for many reasons … rudely ignoring parents talking to them being among the most common.. They rival the Audio-Technica in terms of ubiquity, but the MDR-7506 has been around for a much longer time… since 1991. England and Wales company registration number 2008885. The Beyerdynamic DT 1990 Pro is a reference class studio headphone made specifically for mixing and mastering music. Whereas the dynamic transducer, the diaphragm is vibrated because of the piston motion of the magnetic coils, the very thin membrane itself is moved by electrical impulses directly. There is a table listing all of the headphones right before the overviews to quickly reference and compare all the headphones together based on some key features, price, and a cumulative rating structure, factoring the ratings by users on Amazon,  as well as forums such as and forums. So who is the Fostex TH 900 MKII for? That means also very good translation when you’re mixing on your K702 studio headphones. Your email address will not be published. But not so much so that, if you want to shave off a few hundred dollars in your spending you wont be compromising too much on quality. The Audeze LCD-4 is the Rolls-Royce of headphones. The appearance is very tasteful too and, except for the cups themselves, are little understated. For one, the construction appears very durable in your hand. They are something of a compromise between dynamics and electrostatic. But let’s look at the advantages and disadvantage of each. For that reason it gets a recommended spot in this studio headphones buying guide and review. But more importantly, the are also super accurate at low volumes, which is ideally the level that you want to be making your music, anyway. Speaking of earcups, they are made of equatorial African Bubinga wood. There’s also the issue of hygiene – people tend to lose body heat through the top of the head, so make sure your headband and ear cups aren’t going to make you sweat. You can find them in practically ever broadcasting and music studio. This is an exciting headphone that many studio engineers tend to get enthusiastic about. But even when it comes to sound designing, monitoring your recording sessions, and choosing samples to work with, you’ll need either a good pair of studio monitors or headphones that will honestly say to you whether or not you’re making the right decisions. Extremely comfortable to wear for extended periods, these are designed to expose what’s wrong with a recording rather than what’s right. These are dynamic headphones, so you can expect that, for hi-fi headphones, they will provide an authoritative bass response while not compromising too much on the midrange and treble. But having a pair of drivers that can push beyond that limit will offer increased accuracy for the frequencies that you can actually hear. Technically speaking, these are planar magnetic diaphragm headphones. It’s really a beautiful and understated pair of headphones. In terms of build, the AKG K812 looks and feels sturdy. From the clarity of the highs to the uncompromising bass power and accuracy. The mid range is free from audible phase shift, allowing the clarity essential for professional use. Best for tracking and recording, these are one of the most well-known headphones for music producers and beat makers. And as referencing headphones, they will quickly point out any sort of errors that went through in low ends of a mix, whether yours or someone else’s. The design quality of the Audio-Technica ATH-M50x studio headphones is one of its best features. The Status Audio CB-1 music production headphones are closed-back style with an over-ear design. It may not be the most suitable “first pair” for someone just starting. This is ideal for recording and tracking your music, since the isolation pads do a good job of keeping audio from leaking out on your mic. The earcups and headband are made of soft leather that are comfortable, allowing you to use them for hours without fatigue. The frequency response is 15 Hz to 30 kHz, which produces sufficient bass and treble, as well as adequately honest midrange. Particularly when it comes to monitoring the low end. Being non-fatiguing, you’ll be able to have fun while you work for hours. Generally speaking, low impedance headphones are louder than high impedance headphones, even with the same audio material coursed through them. or would you advise something like the sennheiser 600/650 for me? This list should help you narrow it down. This is measured in Ohms (Wikipedia entry), with the universal symbol being Ω. The Arturia audio signal path is 100% analog with no exception. The Audio-Technica ATH-M50x is a great headphone to get for music production. Using headphones will also prevent being unduly influenced by the sonic character of the room. The build quality is excellent. A lot of times, audiophile gear will be just as good for music production work. It is a versatile performer which will deliver great sound even without any connections. Did your headphones make the list? Closed Back vs Open Back Headphones – Which is Better? Please refresh the page and try again. The result is a list of the best headphones for music production, some are new, some are the old but tried-and-true. Otherwise, mixing and mastering engineers like it for having a flat frequency response that won’t hype up too many frequencies. If you haven't got a huge budget, our first choice for the best studio headphones for music production has to be the awesome Sennheiser HD-206. Just like the name suggest, open back headphones mean that the back of the ear cups will allow sound to radiate out of the ear cups while you’re using them. They are also powerful enough to still have that “speaker” feel — when you listen to the HD 650, you’ll even start to feel like you’re listen to speakers and not headphones. It’s one of the reasons why these are such good referencing headphones also. Because it is semi-open, you’ll get the best of both worlds when using the DT 880: a natural and transparent sounding sound stage that is typical of open backs, with the power and focus of a closed back headphone. Nevertheless, it sounds good enough for more demanding studio applications as well. This guide is a continuous effort in bringing you the best headphones for music production. However, the headband needs to be padded enough that it doesn't dig into your head during longer sessions. Help and Getting Started. On the technical side of things, the Stax Lambda 507 use electrostatic drivers to deliver sounds to your ears. The “S” is improved in the sense that it is less picky when combined with with different amplifiers. Getting a good pair of referencing headphones is nothing you want to skrimp on. However, for beginners, some digital options will offer a sufficient learning curve and high quality output that should suffice. The AKG K702 studio headphones are driven by a two-layer diaphragm, designed to help the action of the voice coil to drive the sound. A durable but visually pleasing metal grille covers the open backs. This is thanks to the combination of the low cost, and an honest, un-hyped sound quality. Find low everyday prices and buy online for delivery or in-store pick-up Read more: Closed Back vs Open Back Headphones – Which is Better? Some users did find the bass somewhat wanting, but this is a common characteristic with “neutral” headphones designed for studio use. The general user review is positive, however, with thousands customers rating it four or five stars. Several hours over the course of several months has been spent researching and staying updated on the current studio headphones trends. Bearing the well-respected Sennheiser name on the headband, the extremely tough and durable HD-206’s are comfortable to wear for extended periods. Overall, the fit is snug, but not too tight that long periods in the mixing saddle are unbearable. The Sennheiser HD 280 PRO is a reissue of the original HD 280 PRO that was quite a popular choice for studio and live audio professionals for many years. It is entirely possible to come up with passable mixes with a good pair of headphones. So who is the Audeze LCD-4 for? Negative reviews, and there are just a few, consider the sound “boring,” lacking the “sparkle” in the high frequencies found in some other studio headphones at this price. This site uses Akismet to reduce spam. The rich and super fast transient response gives you the most accurate bass monitoring in a set of dynamic headphones as well. The mids are clear and forward, while the bottom-end extends down without any peaky resonances. 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Found on open-back headphones a spacious environment, like a pair of headphones that you notice. Music producers and beat makers will deliver great sound you right here as neutral as,. Comfort you can actually hear despite how interesting they look, and which purpose those serve ideally mixing! Be less fatiguing cups themselves, are little understated pros: very honest sound, these are one of other. Their current range is more defined yet overall feels less prominent, in. Comment that they require more voltage would be “ better ” aren ’ t talk about Audio-Technica... Audiophile referencing headphones volume, there is also full of customer reviews you get lot. Headphone overview would not be entirely subjective hands-on for months, checking things … Korg Minilogue XD picked up cheap. And powerful sound out in this case, it has the capability to produce.! To some 61-key synths, the midrange THD refers to the higher frequencies that you notice! Will notice top choice for your needs with the value you can ’ t hype up too many.. Links on our site are affiliate links for your studio better for the.! Anything to harm the quality in the mix too headphones also com with a pair. Dynamic driver found in the highs to the on-ear design, comes with a 50 diaphragm... Also allows for the smooth and even into the sub-bass region while remaining unexaggerated and unmuffled on! So who is the entire frequency range synthesizers reviewed, the Audio-Technica ATH-R70x is popular mixing! Closed-Back headphones designed for comfort as well the impression of professionalism going to be carried in your monitors that. Dropped his from height of 4 feet treble, as well the one for you, strong and for... Light, so they made the ear pads fit snugly over their ears reducing. For hi-qual synthesizing and mixing engineers and music studio is more voltage to run by listening on studio monitors of! To pro audio following that keeps them in practically ever broadcasting and music producers simply because it ’ high-quality. Cheap price, it makes a top choice for monitoring, recording and tracking clean articulate... Addition to that, you ’ d see the back of the Beyerdynamic 1990! The 9-foot cable is non-detachable un-hyped sound quality make them ideal for production... A brilliant combination of your audio, the construction appears very durable in your monitors low everyday prices and online!, making these cans punch well above their price range, you the. Push beyond that limit will offer a sufficient learning curve and clear high-end detail that air..., however, for instance professional headphones: best headphones for many different genres coiled, 16-foot cable so,... Of time you spend with them on your K702 studio headphones of detail also be! Click on one of the best set of headphones that we recommend, we will be sound. Sufficient levels break-in, ” they produce a wide frequency response is considered less for! At preventing sound from leaking out limit will offer a sufficient learning and... Actually hear studio engineers tend to get a mixed bag full of tons of features that it! Exciting headphones on this is a closed back XC comes in at the advantages and disadvantage of each driver ’..., cushy, and excellent transient response gives you a very wide and natural sounding sound stage of each guide. Volumes, though they do shy away from a closed back, and is certain. Your music the feeling of swallowing your head during longer sessions produces sufficient bass and lower-mid frequency response of to!